New York's Capital Region in 50 Objects

New York's Capital Region in 50 Objects

Introduction

Each region of the nation has its own distinctive history and identity. The New York’s Capital Region—consisting of Albany, Rensselaer, Schenectady, and Saratoga Counties—is no different. But what best identifies the region? What events, objects, people, and ideas have contributed to its character and uniqueness?

To learn the answers, we presented these questions to the numerous museums, historical organizations, libraries, and residents of the Capital Region. The fifty objects that were ultimately selected present an exciting history of the Capital Region, including well-known favorites but also unexpected surprises. Some of the fifty objects characterize very broad topics like the textile industry and the Hudson River School of art, while others embody large populations of people who shaped the character of the region, such as the Dutch and the Iroquois. Many objects represent specific people or events, such as writer William Kennedy and the Battle of Saratoga. In some instances, the objects represent themselves, like the GE Monitor Top refrigerator and Albany’s beloved Nipper statue. A complementary image accompanies each of the fifty objects, providing context and additional information.

Overall, the fifty objects clearly demonstrate that this narrowly circumscribed part of New York State has played an astonishing role in shaping the history of the nation and, in several instances, the world beyond the confines of our national borders.

Stephen and Harriet Myers Residence

Stephen Myers, the leading figure in the Underground Railroad movement in the Capital Region during the 1840s and 1850s, was an African American activist who fought for the abolition of slavery in the United States. He also assisted freedom seekers, those who had escaped enslavement, in pursuit of their freedom. As the principal agent for the Vigilance Committee of the Underground Railroad in the 1850s, he coordinated the efforts of local citizens to provide food, clothing, shelter, housing, and employment for freedom seekers making their way into Albany.The Vigilance committee assisted thousands in the course of its work.

In addition, Myers led the fight for the rights of African Americans in housing, education, employment, and voting through political lobbying, public speaking, and using newspapers to educate the public. The broadside exhibited here shows Stephen Myers as a committee member, arranging a convention in Albany in support of Abraham Lincoln’s Emancipation Proclamation. While Myers was well known for his journalistic work with several African American newspapers, The Northern Star and Freeman’s Advocate, published in Albany, was the most famous. His wife Harriet was also active in the work of helping freedom seekers and organizing local women to engage in Underground Railroad activities.

Stephen and Harriet lived in Albany’s Arbor Hill neighborhood in the 1850s,  in what is known today as the Stephen and Harriet Myers Residence. The Residence is a documented Underground Railroad site that is listed on the National Register of Historic Places, the National Park Service Network to Freedom, and the New York State Underground Railroad Freedom Trail.

Stephen and Harriet Myers’ Residence, 194 Livingston Avenue, Albany, New York

Photograph by Daniel Stewart, LensCraft Photo

2015

Courtesy of The Underground Railroad History Project, Albany, New York

God Save the Union!

1863

Medium: Letterpress on paper

Dimensions: 11 H x 8 1/2 W

Credit: Albany Institute of History & Art Library

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Textile Industry

In the 1870s, the largest cotton mill complex in the world was located in Cohoes, New York. The surviving mill buildings and workers’ houses hint at the once thriving industry that began in 1836 when Peter Harmony strategically founded a textile company along the Erie Canal, utilizing water diverted from the Cohoes Falls to power his factory. Raw cotton from southern states was processed, spun, and knitted or woven into printed calicos and fine cotton muslins.

By 1870, Cohoes had eighteen knitting mills and six cotton mills running 203,000 spindles, hence the city’s nickname, the “Spindle City.” The largest mill, Mill No. 3 at Harmony Mills, was built between 1866 and 1872. The building was 1,185 feet long and five stories high. It was considered to be one of the most technologically advanced cotton factories in America. At its peak, Harmony Mills employed 3,100 people and had a predominantly female work force. Mill No. 3 alone housed 2,700 looms that produced 100,000 yards of fabric every sixty hours. The Harmony complex sold in 1937 when the cotton industry became less dependent on water power.

Clark Tompkins of Troy invented and patented the upright rotary knitting machine, illustrated here, to produce knit goods that could be turned into men’s and women’s shirts and drawers. Considered noiseless, the machine could knit, revolve, and wind the material. Machines manufactured by him, and later his sons known as Tompkins Brothers, were used throughout the United States, Canada, and South America.

Upright Rotary Knitting Machine

Tompkins Brothers, Troy, New York

c. 1895

Cast iron, metals, cotton yarn, wood

Courtesy of the New York State Museum

Birds-Eye-View of Cohoes, N.Y.

1879

Publisher / Location: Galt & Hoy

Medium: Color lithograph on paper

Dimensions: 25 1/2 H x 34 3/4 W

Credit: Albany Institute of History & Art Purchase

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Steamships

Shortly after 1:00 pm on August 17, 1807, an ungainly vessel fitted with a smokestack pulled away from the dock on the Hudson River at Greenwich Village.Twenty-four hours later the steamboat docked at Clermont, Robert Livingston’s estate 110 miles upriver. The remaining eight hour journey to Albany continued the next morning. Upon arrival, the vessel’s inventor, Robert Fulton, immediately penned letters to friends describing his success. His maiden voyage started a steamship revolution on the Hudson River that lasted for more than a century.

Before steamships, travel and trade by stagecoach or sloop took weeks and months. After Fulton proved his invention would work, steamships regularly traveled the Hudson River between Albany and New York City, transporting passengers and cargo on regular schedules.

By the second half of the nineteenth century, steamships resembled floating palaces complete with interiors fitted with velvet upholstered seating, crystal chandeliers, fine paintings, and wall to wall carpeting. The Hudson River Day Line advertised its steamships in the 1880s as “strictly first-class—no freight.” A newspaper reported: “With rare exceptions, the passengers are nice people. The peanut and sausage eaters; the beer drinkers; the pipe smokers; the expectorators; the loud talkers; the life long enemies of soap and water, are never seen here.” Considerably larger than their predecessors, the new breed of steamships had steel hulls and six boilers. Better than 400 feet in length, these vessels serviced thousands of passengers per voyage.

Steamships eventually succumbed to the automobile and highway systems. On December 31, 1948, the Hudson River Day Line officially terminated service, ending the steamship era on the Hudson.

Model of Steamboat Swallow

F. Van Loon Ryder, Coxsackie, New York | c. 1968

Maker: F. Van Loon Ryder, Coxsackie, New York

Credit: Albany Institute of History & Art Purchase, funded by the Women’s Council of the Albany Institute of History & Art

Steamship Chancellor Livingston

Richard Varick DeWitt (1800-1868) | 1822

Medium: Watercolor on wove paper

Dimensions: 27 1/4 H x 38 W

Provenance: Descended in the DeWitt family to Sarah Walsh DeWitt (died 1924), daughter of Richard Varick DeWitt (1800-1868) and Sarah Walsh DeWitt (1805-1842)

Credit: Bequest of Sarah Walsh DeWitt

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