New York's Capital Region in 50 Objects

New York's Capital Region in 50 Objects

Introduction

Each region of the nation has its own distinctive history and identity. The New York’s Capital Region—consisting of Albany, Rensselaer, Schenectady, and Saratoga Counties—is no different. But what best identifies the region? What events, objects, people, and ideas have contributed to its character and uniqueness?

To learn the answers, we presented these questions to the numerous museums, historical organizations, libraries, and residents of the Capital Region. The fifty objects that were ultimately selected present an exciting history of the Capital Region, including well-known favorites but also unexpected surprises. Some of the fifty objects characterize very broad topics like the textile industry and the Hudson River School of art, while others embody large populations of people who shaped the character of the region, such as the Dutch and the Iroquois. Many objects represent specific people or events, such as writer William Kennedy and the Battle of Saratoga. In some instances, the objects represent themselves, like the GE Monitor Top refrigerator and Albany’s beloved Nipper statue. A complementary image accompanies each of the fifty objects, providing context and additional information.

Overall, the fifty objects clearly demonstrate that this narrowly circumscribed part of New York State has played an astonishing role in shaping the history of the nation and, in several instances, the world beyond the confines of our national borders.

Empire State Plaza

The Empire State Plaza was the vision and legacy of New York Governor Nelson A. Rockefeller. The idea for the government complex purportedly arose from the visit of Princess Beatrix of Holland in 1959 and Rockefeller’s embarrassment of the decaying streets around the capitol.

Wallace K. Harrison, who worked with the Rockefeller family on earlier projects, was selected as the architect. (In the 1930s he served as a junior partner on Rockefeller Center in New York City.) Harrison designed large architectural complexes that often centered on water, and the Empire State Plaza became his last monumental undertaking.

Construction began in 1962 and lasted until 1978, changing the face of Albany and displacing an entire neighborhood. George A. Fuller Company and a multitude of subcontractors accomplished the engineering and construction of four cantilevered agency buildings, the Erastus Corning Tower, the Justice Building, the Legislative Office Building, the Motor Vehicles Building, the Egg, and the Cultural Education Center as well as the Plaza and underground concourse.

Marcel F. Mutin worked as chief designer for Harrison. Born in France in 1910 and educated at the Ecole des Beaux Arts in Paris, Mutin came to the U.S. in the late 1940s. He opened his own firm in New York in the mid-1950s and became one of the top architectural renderers in the nation. His renderings for the Empire State Plaza show some of the original concepts for the project. Some were realized while others were not, like the triumphal arch at the south end of the Plaza occupied today by the Cultural Education Center.

Architectural Rendering, Proposed View of South Mall Looking Northeast

Marcel Mutin (1910-1998) | c. 1962

Medium: Tempera on board

Dimensions: 28 1/2 H x 40 W

Credit: Albany Institute of History & Art Purchase

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Emma Willard and Female Education

Born on February 23, 1787, in Berlin, Connecticut, Emma Hart Willard is remembered for her trailblazing efforts on behalf of women’s education.The sixteenth of seventeen children, she attended local schools and then began teaching near her home in 1804. In 1807, Emma Hart went to Middlebury, Vermont, to run a female academy. Two years later she married town physician, John Willard, a widower with four young children. She retired from teaching and in 1814 opened a girls’ school in her home to help with family finances. Five years later, Willard wrote an address to the public, specifically to the members of the New York Legislature, proposing A Plan for Improving Female Education. She published the plan and sent copies to Thomas Jefferson and John Adams with the intension of winning public support for girls’ schools. Willard advocated equal education for young women through the academy level.

In September of 1819, with the encouragement of Governor DeWitt Clinton, Emma Willard moved to New York and opened a school in Waterford, but after two years she moved to Troy and opened the Troy Female Seminary, shown in a print from a drawing by Thirza Lee, instructor of drawing and painting and former student of the school. Thousands of young women passed through the Troy school during her lifetime. Willard became financially successful, both from the profits of her school and from the best-selling textbooks that she authored.

Willard left daily management of the school to her son and daughter-in-law in 1838, the year she remarried. She spent the last thirty years of her life traveling and writing, although the seminary and Troy remained her home base. Willard died in 1870 and the school was renamed in her honor in 1895.

Emma Willard’s Desk

c. 1800

Stained maple, poplar, mahogany, brass hardware

Courtesy of the Emma Willard School Archives

Troy Female Seminary

After Thirza Lee

c. 1830

Hand-colored engraving and etching on paper

Courtesy of the Rensselaer County Historical Society

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Erie Canal

The concept for a canal linking the Hudson River to the interior of the North American continent originated in the late eighteenth century. The opening of land in the trans-Appalachian west following the American Revolution created two needs: first, the need to survey and map western lands, and second, the need to build transportation infrastructure to bring western products to East Coast markets.

In 1825, after eight years of construction, the Erie Canal opened to great public acclaim. It was an engineering marvel that spanned New York State for 363 miles, stretching from the Hudson River at Albany to Lake Erie at Buffalo.

To commemorate the opening celebration in 1825, a special medal and box were created, illustrated here. The medal, struck in either gold, silver, or white metal, displayed the official seal of the Erie Canal, which included the ancient Greek and Roman gods Pan and Neptune who represented the Great Lakes and the Atlantic Ocean respectively. The small circular wooden boxes designed to house the medals were made by New York City cabinetmaker Duncan Phyfe. According to a label pasted inside the boxes, the wood used in their construction was cut in the Great Lakes region and shipped to New York City in the first boat to traverse the canal, the Seneca Chief. Symbolically and materially, the two great waters of Lake Erie and the Atlantic Ocean were united.

At several times during the nineteenth and early twentieth centuries the Erie Canal was enlarged to accommodate larger vessels. The Erie Barge Canal, the last expansion and the last effort to make the canal profitable, opened in 1915. Unfortunately, it could not compete with expanding railroads and the highway systems that began to be built in the 1930s. Today, the Erie Canal serves mainly pleasure boaters and tourists.

Erie Canal Commemorative Token in Wood Presentation Box

Box attributed to Duncan Phyfe, New York City | 1825

Maker: Box attributed to Duncan Phyfe, New York City

Credit: Gift of Albert B. Roberts

View of Little Falls, New York

William Rickerby Miller (1818-1893) | 1852

Medium: Watercolor on paper

Credit: Albany Institute of History & Art Purchase

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