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Cole's first European tour from 1829-1832 inspired new approaches to his composition technique and philosophy of art. This painting of a ruined tower was most likely done in Cole's Catskill studio following his return from Italy, using sketches of Mediterranean Coast towers made during his travels. Cole may have also taken inspiration from English artist John Constable's similarly composed painting, Hadleigh Castle (1829), a dramatic scene of desolation and ruin.
Cole used the image of the tower in various allegorial paintings as symbols of society's rise and ruin. A devout Christian, Cole ultimately focused on the temporary state of human life and achievement in contrast with the dramatic power and inevitable authority of nature and God.
Ruined Tower
Thomas Cole (1801-1848)
Oil on composition board, c. 1832-26
AIHA Collection
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